Nala gets more to do, reinforcing her character as brave, determined and unwilling to bow to oppression the reason she's able to run into Simba is because she has to leave the Pride Lands for fear Scar would force her to be his Queen. Rafiki gets more time on the stage, even addressing the audience.Timon's fur goes from a sandy tan to a more reddish-orange.Zazu goes from blue and purple to white and orange in the stage play, more closely resembling the color of a real hornbill (it also grants the puppet more visibility, contrasting with his darker colored operator).Simba is able to successfully No-Sell Scar's final attack on him atop Pride Rock, something which took him by surprise in the original film.Adaptational Badass: Timon in the film was running from the hyenas as they chased him.A different mixture of techniques is used for each animal species the lions are actors in costumes that allow the audience to see their human expressions, the elephants are pantomime animals, the hornbill Zazu is a rod puppet, and so on. The show is famous for its Spectacle: While faithful to the film's story and songs, visually it eschews the relatively literal, film-based costumes and sets of Disney's previous Broadway adaptation Beauty and the Beast in favor of using a variety of creative methods to "animate" its characters and setting, with costumes that often cross over with puppetry. Touring and sit-down productions have been mounted in dozens of countries, and as of September 2014 its total $6.2 billion take has rendered it the single most successful entertainment venture of all time. Directed by Julie Taymor, the Broadway production is still running, having won the 1998 Best Musical Tony Award, and was the first such show to gross over $1 billion as of 2013. The camera fades to black, like, " You know what, on second thought, this doesn't need to be The Oner.The success of Disney's The Lion King on the big screen resulted in a Screen-to-Stage Adaptation in 1997. Shortly after, it lands on the branch of a tree that a giraffe is munching from, and gets eaten.You can just imagine it as being like a person getting rid of an ugly throw pillow their spouse bought without their say-so. The moment it flies off again, however, its mate flicks it out of the nest, clearly annoyed. During the sequence of Simba’s tuft of fur making its journey, a bird takes it back to their nest to use as extra material.Both make it clear that this is far from the first time Simba has done this. He’s so tiny that he easily slides off his much larger father’s head, and when he becomes more insistent in his prodding, you can see Sarabi’s ear perk up to listen, but she quickly tells Mufasa his son is awake, clearly happy to cast Simba’s excitement off on her mate. Like in the original, young Simba excitedly trying to get Mufasa up so he can go patrol with him.Shahadi Wright Joseph's line delivery on that one is hilarious. They don't get it at first, so he has to say, "To each other". Zazu mentioning how Simba and Nala will be married someday.He says he's glad it's Simba and " not a real lion" and then quickly stumbles over his words and tries to backtrack what he says, and ends with, "yeah, I'm gonna go." He looks up again and sees a lion attempting to attack but then relaxes when he realizes it's Simba trying to catch butterflies. After the montage of Simba growing up there's a Fade In to a topi grazing who hears some rustling behind him.Timon: You'll be his little mess! He's gonna eat you and use my body as a toothpick.
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